B. Michael Williams is Professor of Music and Director of Percussion Studies at Winthrop University in Rock Hill, South Carolina. He holds the B.M. degree from Furman University, M.M. from Northwestern University, and Ph.D. from Michigan State University. Active as a performer and clinician in both symphonic and world music, Williams has performed with the Charlotte (NC) Symphony, Lansing (MI) Symphony, Brevard Music Center Festival Orchestra, and the Civic Orchestra of Chicago, and has appeared at five Percussive Arts Society International Conventions. He has written articles for Accent Magazine, South Carolina Musician, and Percussive Notes, and has made scholarly presentations on the music of John Cage and on African music at meetings of the College Music Society and Percussive Arts Society (PASIC). In 2004, Dr. Williams received the Winthrop University Distinguished Professor Award, the highest honor given to a Winthrop faculty member.

Dr. Williams is Associate Editor (world percussion) for Percussive Notes magazine. A composer of innovative works for percussion, his “Four Solos for Frame Drums” was the first published composition for the medium. Additional works to his credit include  “Three Shona Songs” and “Shona Celebration” for marimba ensemble, “Recital Suite for Djembe,” “Tiriba Kan” for solo djembe, “Bodhran Dance,” and “Another New Riq,” all published by HoneyRock Publications. His recently-released CD recording, BataMbira, with Grammy-nominated percussionist and producer Michael Spiro, has been featured on National Public Radio, Voice of America, and other broadcasts worldwide.